Era
2010s Indie Rock · Alternative Rock · Progressive Rock
Post-rock, modern metal, indie folk, math rock, and a resurgence of guitar music alongside ascendant rock-adjacent genres.
- 66 bands
- 8 countries
- Indie Rock dominant genre
- #120 This Will Destroy You
Texas post-rock band of patient texture and slow-burn dynamics.
- #121 Russian Circles
Chicago instrumental trio fusing post-rock dynamics with metal weight.
- #125 Cult of Luna
Swedish post-metal stalwarts of glacial heaviness and atmosphere.
- #133 The Dead Weather
Garage-rock supergroup with Jack White and Alison Mosshart.
- #136 Black Mountain
Vancouver heavy psych quintet of acid-drenched riffs.
- #171 Bring Me the Horizon
Sheffield band who arc-ed from deathcore to arena rock crossover.
- #172 A Day to Remember
Florida band who blended metalcore breakdowns and pop-punk choruses.
- #175 Gojira
Bayonne progressive-death-metallers acclaimed for environmental concept albums.
- #276 Phoenix
Versailles indie-rockers whose 'Wolfgang Amadeus Phoenix' broke France big.
- #296 Between the Buried and Me
Raleigh genre-mashers fusing metalcore with sprawling prog.
- #297 Animals as Leaders
Tosin Abasi's instrumental djent-prog trio of dazzling fretwork.
- #298 Periphery
Maryland djent flagship blending metal weight with sky-high vocals.
- #299 Tesseract
Milton Keynes djent band of meditative atmosphere.
- #300 Karnivool
Perth progressive band whose 'Sound Awake' is modern Australian prog canon.
- #310 Tame Impala
Kevin Parker's Perth project who took psychedelic rock into pop's mainstream.
- #311 King Gizzard & the Lizard Wizard
Melbourne septet of relentless output across psych, metal, and microtonal experimentation.
- #325 Gang of Youths
Sydney band of stadium-scale indie rock and emotional candor.
- #334 Arcade Fire
Montreal collective whose 'Funeral' is a 2000s indie cornerstone.
- #336 Metric
Toronto synth-rock band of Emily Haines vocals and propulsive hooks.
- #337 Stars
Montreal indie-pop band of cinematic sweep and dual lead vocals.
- #338 Death from Above 1979
Toronto bass-and-drums duo of distorted dance-punk.
- #342 Theory of a Deadman
Vancouver post-grunge band aligned with the Nickelback-era radio sound.
- #347 Cancer Bats
Toronto band welding hardcore, sludge, and southern rock.
- #349 Comeback Kid
Winnipeg melodic hardcore stalwarts.
- #350 Protest the Hero
Whitby technical-metalcore band of dazzling fretwork.
- #360 Kasabian
Leicester indie-rockers of swaggering, electronic-leaning rock.
- #361 Franz Ferdinand
Glasgow indie-rockers whose dance-punk hooks defined a 2000s sound.
- #362 Bloc Party
London indie-rockers of jagged guitars and political restlessness.
- #364 Babyshambles
Pete Doherty's post-Libertines vehicle of rambling indie poetry.
- #365 Razorlight
London indie-rockers of late-2000s UK chart prominence.
- #366 The Kooks
Brighton indie-poppers of breezy melodic chops.
- #367 Kaiser Chiefs
Leeds indie-rockers of rabble-rousing chants and post-punk rhythms.
- #368 The Cribs
Wakefield Jarman-brothers indie band of jangly DIY ethics.
- #369 Editors
Birmingham band of Joy-Division-tinged moody indie.
- #370 The Maccabees
London indie-rockers of layered guitars and acclaimed late-period work.
- #371 Mumford & Sons
London band whose nu-folk anthems reignited mainstream banjo-pop.
- #372 Florence + the Machine
Florence Welch's London band of cathedral-scale art-rock.
- #373 Foals
Oxford band whose math-rock interplay matured into stadium-rock anthems.
- #374 alt-J
Leeds-formed art-pop band of choral harmonies and quirky structure.
- #375 Wolf Alice
London band drifting between dream pop, grunge, and indie folk.
- #376 The 1975
Manchester band fusing 80s pop sheen with confessional indie.
- #377 IDLES
Bristol post-punks of anti-toxic-masculinity rage and cathartic noise.
- #384 Sleaford Mods
Nottingham duo of stripped-down beats and Jason Williamson rants.
- #385 Fat White Family
London band of seedy art-rock and provocative theatre.
- #386 The Horrors
Southend band who arc-ed from goth garage to layered shoegaze rock.
- #387 The xx
London trio of minimalist indie of whispered duet vocals.
- #388 Glass Animals
Oxford indie band whose 'Heat Waves' became a streaming-era smash.
- #389 Bombay Bicycle Club
London indie-rockers of polyrhythmic playfulness and warm production.
- #390 Vampire Weekend
NYC band of Afro-pop-inflected guitars and preppy literary pop.
- #391 Fleet Foxes
Seattle indie-folk band of choral harmonies and pastoral textures.
- #392 Bon Iver
Justin Vernon's Wisconsin band whose cabin-recorded debut became iconic.
- #393 The National
Cincinnati-via-Brooklyn band of literary baritone indie rock.
- #403 LCD Soundsystem
James Murphy's NYC dance-punk band of restless, witty disco-rock.
- #404 TV on the Radio
Brooklyn art-rockers fusing post-punk, soul, and electronic experimentation.
- #441 Battles
NYC math-rock band of looped riffs and dance-leaning experimentation.
- #451 Beach House
Baltimore dream-pop duo whose woozy guitars define the modern genre.
- #452 The War on Drugs
Philadelphia band of Springsteen-meets-Krautrock heartland indie.
- #453 Real Estate
Ridgewood, NJ indie-rockers of jangle and suburban melancholy.
- #454 DIIV
Brooklyn shoegaze band of Slowdive-tinged guitar haze.
- #455 Deerhunter
Atlanta art-rock band of restless reinvention and Bradford Cox songwriting.
- #456 Animal Collective
Baltimore experimental-pop collective whose 'Merriweather' is a 2000s touchstone.
- #478 Gorillaz
Damon Albarn's animated band crossing alt-rock with hip hop and electronica.
- #485 Two Door Cinema Club
Bangor indie-rockers of bright, danceable guitar-pop.
- #494 The Hold Steady
Brooklyn-via-Minneapolis bar-rockers of literary Craig Finn songwriting.
- #495 Boris
Tokyo experimental band fluent across drone, doom, J-pop, and ambient.
- #496 Mono
Tokyo instrumental post-rock band of orchestral grandeur.